Film

Isolation Station week two… let’s talk Lord of the Rings

I have been waiting for the perfect time to wax lyrical about this and finally I have an excuse in the guise of a suggestion, if like everyone else you’re losing your mind in isolation. If you have never seen the Lord of the Rings trilogy before, aka the best films ever made, firstly where have you been? secondly this is the perfect time to discover their beauty. And if you have already seen them, then you’ll obviously be as in love as I am, and therefore it’s the perfect to revisit!

Let’s start with the basic reason number one, that if you watch the extended editions, you’re going to fill a good twelve hours of isolation. (And you could go even further and follow it up with the three hobbit films, looks like we’ll probably have enough time. Personally I’m not a fan, whilst I do love Legolas and a nice little love story I wasn’t particularly happy with them being shoehorned into the Hobbit, a perfectly good adventure story without any additions needed. If you ask me Peter Jackson should have just made one very good Hobbit film instead of three ok but not great padded out movies. But that is a whole other thing I’m not going to get into now.) Aside from their length there’s a whole lot to love about this trilogy of films. I fully believe they had a good hand in making me who I am today, and even though Harry Potter will always have a special place in my heart it is Tolkien’s magical fantasy world that draws me in time and time again. They are quite simply, my favourite films of all time and let me tell you why…

Part of my love for these films is a nostalgia factor. Whilst my Grandad gave me the first Harry Potter book and my mum gave me Enid Blyton and the Bronte sisters and Austen, my Dad gave me Lord of the Rings. It started on one of those blurry days between Christmas and New Year, with my Dad announcing at dinner, that the two of us were going to go watch The Fellowship of the Ring the next day. I had read the Hobbit over the summer whilst we were on holiday in the Italian mountains, and such a big impact it had on me that when I think of that holiday I always think of hobbits wandering around rural Tuscany. So my Dad was convinced I would love this film.

We drove to an old fashioned cinema, as the closest was fully booked, my dad bought wine gums as snacks and there was an interval when they sold ice cream. I was eleven and going to the cinema was a rare treat at that time, we really only had been on birthdays or when we were staying at my grandparents, and only so far to see Disney films or, just a few weeks previously the much anticipated Harry Potter and the Philosophers Stone. This film was something else though, it was dark and it was fantastic and even though the dark riders scared me shitless I fell in love with the mythical land and beings. The next year we went to the art house cinema to watch the Two Towers and then the following year the multiplex cinema by my grandparent’s to watch the epic conclusion, The Return of the King. And I for the first time ever (although there has been hundreds of times since) found myself crying in a cinema. So invested was I in these characters and their journey and so overwhelming was it when finally the darkness of Mordor was defeated that I couldn’t stop my tears. Turns out my Dad was completely right I did love these films.

These were the films I grew up on. Orlando Bloom, as beautiful blonde Legolas became my first celebrity crush. I even asked my parents for a poster of Legolas for Christmas, and it wasn’t taken down from the back of my bedroom door until we sold the house when I was 24. They founded my overwhelming desire to go to New Zealand and explore the stunning settings, as well as my complete and utter love of adventure. The hours I spent watching the behind the scenes footage on the DVD fuelled my day dreams of becoming an actress and my desire to create something special and lasting. And these were the films I would turn to whenever I was upset and wanted an escape. Which let’s be honest we could all use right about now.

Tolkien created such a magical fantastical world and Peter Jackson so wonderfully brings this alive on the screen. It is such a visual delight with epic battle scenes and sweeping scenery shots. Jackson captured every minute detail of Middle Earth, and I wanted to fall right into it, still do actually.

There is everything here that you could possibly want from an adventure movie, of course awesome battle scenes but also quieter more emotional moments as the characters struggle with themselves and the tasks facing them. There is humour, time for dancing hobbits, drunk dwarves and talking trees and there is romance and bravery, and above all there is friendship. Elves, dwarves and men overcoming their differences to fight together and becoming the best of friends along the way. And hobbits being there for each other, following their friends into the most dangerous of adventures because they need each other, and most importantly because they love each other.

I defy you to not adore hobbits. The purest of all creatures, these little people whose idyllic lives revolve around eating and partying and drinking at the Green Dragon, occupy a special place in my heart. Being on the short side, I’ve always felt an affinity with the hobbits and their love of a good beer at a good pub. And whilst I might complain about being nicknamed variations of Frodo or Baggins by my friends, as nicknames go it’s pretty damn good. Because Frodo was a hero, the most unlikely of heroes but a hero none the less. Who would have thought that a little hobbit could save the world? I learnt so much from these characters their love and bravery and loyalty, and the way they go on fighting even when they think all hope is lost, because as Sam so wonderfully says “there’s some good in this world Mr Frodo. And it’s worth fighting for.”

This is storytelling at its finest, the quintessential tale of good versus evil. And isn’t that just what we need right now, a reminder that good will win out and the darkness will end. We may not be in the midst of a war fighting Sauron but times are a little scary right now, and we are all struggling with the overwhelming changes in everyday life. Frodo’s wishing “it need not have happened in my time” has never been more relatable, but as Gandalf replies (with my favourite of all quotes) “so do all who live to see such times. But that is not for us to decide. All we have to do is to decide what to do with the time that is given to us.”

And that is really all we can do,whether we use the time to learn something new, to make something, to reconnect with people or just to chill out. All we can do is decide how to use this time to be as happy as we can be in the circumstances. And my suggestion of what to do with this time… get acquainted (or reacquainted) with Middle Earth! Pull up a seat (a comfy one) and get lost in this most magic of all fantasy lands. If we can’t go outside for an adventure we might as well get our fix on the screen. And I hope for a little while it’ll help you forget that the world is a different darker place at the moment, and that in escaping to Middle Earth for a short while will give you as much comfort and joy as it gives me.

Film

I love ‘Love, Simon’

This weekend I went to see ‘Love, Simon’ and I’m still on a giddy euphoric high. It absolutely is one of the best films I have ever seen and you should all go see it.

For those of you who don’t know it, it’s based on the book ‘Simon vs the Homosapian agenda’ (which I have now of course purchased) about a teenage boy in his final year of high school who is gay. The only problem no one knows. He starts emailing an anonymous boy from his school ‘Blue’ who has the same secret. Although neither know who the other one is they form a connection and fall in love. It is one of those wholesome, feel good, all American, teenage coming of age films.  A romance that, to use one of my favourite phrases, gives you all the feels. How incredible that it is the first mainstream Hollywood romance where the male protagonist is gay. This is of course a big deal, as recently as when I was a tween this premise would have been unthinkable, yet at the same time it isn’t, because when you watch it, it just makes sense, why shouldn’t this be the norm?

This is such a smart film, hold your sides funny, I think I spent 90% off the film crying with laughter and the other 10% crying from pure emotions sometimes I was crying from both simultaneously. It perfectly portrays all the jumbled emotions of a teenager coming to terms with himself. Simon jumps from crush to crush as he tries to determine Blues identity in the way that wild teenage daydreams do, falls out and makes up with friends, and struggles with his relationship with his family. Nick Robinson and the rest of the cast are sublime, and I think I’m not the only one to now have just a little bit of a crush. Also I really want Jennifer Garner and Josh Duhamel to adopt me, they play the most wonderful of parents.

This is a modern day rom com with a nostalgic feel, which reminds you of all the great romantic comedies we grew up with, and leaves you with the same warm and fuzzy feeling. Oh yes and it has a kickass soundtrack that has been playing on loop ever since I left the cinema.

Go give this movie a watch people, I promise you won’t regret it!

Film

A whole lot of (very delayed) post Oscars Thoughts…

Ok firstly I know this is a couple of weeks late but as I had a few days off over the Oscars weekend I have spent the last ten days working flat out plus fighting off a horribly persistent cold, so I’ve not had much spare time or brain power.

Secondly I realise I didn’t do my final review of the Best Picture nominees, the truth is I am a complete scaredy cat, I have a total hatred of horror films, I scare far too easily and I really take no pleasure in getting freaked out. I know part of the point of watching all the nominees is to find films I never knew I’d love but I really need a tight hand to hold on to to sit through ‘Get Out’ and as none of my friends could be persuaded to watch it with me I have yet to see it. I promise at some point I will get up the nerve or find a friend to babysit me through it and I will write my review. But for now with all the glitz and the hype over for another year lets dissect this years Oscars, in true Kate style with a list of the defining moments of the 2018 Academy Awards.

1)  Jimmy Kimmel did a stellar job of hosting. His opening speech perfectly addressed the sexual harassment scandal that has plagued Hollywood, the equal pay discussion as well as the gun control protests taking place after the Florida shooting. He balanced it all with comedy and giggles and he got Armie Hammer to shoot a hot dog gun at a movie theatre full of people I mean what more can you want from a host?

2) In a stroke of genius Faye Dunaway and Warren Beaty returned to present Best Picture. The Oscars could not have played this better with Jimmy Kimmel returning to host and the same presenters returning it made sure that they absolved all of any blame. As well as openly acknowledging the complete cock up of last year it added a fair amount of humour to the situation.

3) Mexico had a moment. I have a strange obsession with Mexico, perhaps it’s the food, perhaps the music, probably the men! And boy did they have a good night. Coco won both best and animated picture and (slightly surprisingly) best original song. And Guillermo Del Toro winning best director makes it the 4th Mexican to win the category in 5 years. Screw Trump and his walls in Hollywood Mexico is on the up!

4) The Shape of Water won Best Picture. On one hand I love this, a fantasy film winning best picture. The actors were more than deserving and Guillermo Del Toro’s finally got a long overdue moment, he truly is one of the great film makers. BUT…

5) Three Billboards was the stand out film of the season for me. It was so perfectly of the moment. It was so raw and funny and real and it is the nominee which will so easily be added to my favourite films list. I have recommended it to pretty much every person I know and I’m probably going to be raving about it for a good few more months maybe even years, yes it’s that good!

6) In the absolute highlight of the evening Francis McDormand gave the best goddamn speech of all time. I genuinely cried. Granted it was 4am I was still hungover from Saturday nights shenanigans and I was a little overwrought but I full on sobbed. Getting all the female nominees to stand up with her. Demanding everyone to pay attention to them. It was so freaking empowering and I have never been prouder to be a woman.

 

 

Film

Oscars Countdown #2 ‘Three Billboards Outside of Ebbing Missouri’

I love love loved Three Billboards. I was sceptical going in as there’s obviously a whole lot of hype but boy did it live up to it!

This film is so perfectly of the moment what could be more apt for the year of #metoo, of women standing up for themselves than a film about a woman standing up for herself and her daughter who was raped and killed. She wants justice and she will stop at nothing to get it.

This is no fairytale, no neatly tied up loose ends and certainly no happy ending. This is about broken people in a dead end town trying to find some joy and purpose in life and trying to fix their hurt. It is deeply emotional and raw and will have you sobbing within minutes. Yet amongst all this heart ache and rage and anger there is comedy, it is darkly funny and so entertaining. And so real. I laughed and I cried and I came out wanting to kick some ass!

I was sure Sally Hawkins was a shoe in for best actress until I saw Frances Mcdormand. Terrifying and unswerving in her determination to find her daughters killer. She is resolutely unsmiling and tough yet at the same time so vulnerable, McDormand shows us it all. I seriously hope she wins the Best Actress award because quite honestly this is one of the best performances I’ve seen in a long long time.

Every performance given in this film is so great, Woody Harrelson is wonderful as per usual and Sam Rockwell blew me away. He plays the racist and idiotic deputy who goes on to show surprising depth.

I never expected the story to go where it goes, I thought I went in knowing what this film would be but I was so so wrong. I want this to win Best Picture so badly, it is a fantastic film and far and away my favourite of the nominees. Plus it has a truly awesome soundtrack! Fingers crossed for the win!

Film

Oscars Countdown #3 ‘The Shape of Water’

The Shape of Water is a beautiful, ethereal love story. It is as we are so told at the beginning “A tale of love and loss and the monster who tried to destroy it all.”

The premise is a little weird, a young girl falls in love with a half fish half man dragged back from the amazon by the incredibly terrifying Michael Shannon. But if anyone could make it work it’s Guillermo Del Toro and boy did he make it work.

A twisted beauty and the beast fairytale for the grown ups. It’s a tale of the lonely people of the world. Elisa, the mute, her closest friend the older gay man fired from his job, her work ally the black woman whose husband never talks to her. These people who are rejected by the 1960’s American society are all looking for acceptance, for happiness, for love.

Sally Hawkins is incredible. She does not speak once but you never once feel as though she needs to. She conveys everything, every emotion, every thought, every feeling so superbly. It is a true testament to her skills as an actress and she is well deserving of her best actress nomination.

This film entranced me it is so beautiful all green and blue tones conjuring up a dreamy world where Elisa lives above a stunning and sadly empty movie theatre. This is juxtaposed by the dirty gritty underground world of the Cold War laboratories where the fish man is kept and tortured until Elisa breaks him free.

This is an emotional fairytale, it has darkness and anger and hate but also lightness and hope and friendship and love. What a truly wonderful film and a huge contender for the Best Picture award!

Film

Oscars Countdown #4 ‘The Phantom Thread’

This is going to be short because I’ve just done a double shift on my eighth working day in a row and I am to put it politely pooped.

I did not get The Phantom Thread. I feel like it was trying to tell me a story but I’m not entirely sure what it was. I suppose this is a love story a particular, short tempered older dress designer falls in love with a (I’m assuming) German waitress. A younger girl falling for an older man is nothing new in a film, but this is just a little weird.

There is nothing here that endears me to either character, honestly I spent most of the film wanting to punch Daniel Day Lewis in the face, which just goes to show how great his acting is, most of the time I really quite like Daniel Day Lewis. Alma just constantly irritated me yes she displayed a little backbone but really a better ending would have been her going off and living her life without him. I guess it shows just how insane and twisted love is.

It cannot be denied that the dresses and design are exquisite, it is a beautiful sight watching all the ladies twirl in these elegant creations. The filming is crisp, all smooth clean lines. I guess you can see the great filmmaking here but there is no heart, nothing to connect to, nothing that made me feel anything other than “well this is bizarre!” By far my least favourite of all the nominees, it’s not a film I’ll be watching again.

Film

Oscars Countdown #5 ‘The Darkest Hour’

After Dunkirk it was only natural to watch the second World War Two film up for nomination this year.

The Darkest Hour shows not the battle itself but the battle going on behind the scene. The focus is on the older men at home who control the war and the war waging in the Houses of Parliament. Churchill is made prime minister as Europe is on the brink of falling to the unstoppable Nazi machine. His party does not support him and seem more preoccupied with ousting him than fighting the Nazis, the British Army is cornered at Dunkirk without means of escape and country after country is falling.

Gary Oldman is stunning. If he does not win best actor it will break my heart. Almost unrecognisable in his prosthetics, everything about him is Churchill. You can truly see him carrying the weight of the world on his shoulders. There is the saddest scene when he is on the phone to Roosevelt and essentially begging him for help from the USA and we can see an almost broken Churchill trying not to let the despair burst out of him. Then on the other hand there are the inevitable scenes of triumph of strength, him shouting at his war cabinet demanding they find a way to fight, and off course his rousing speech to parliament rallying the nation. An alcoholic, old man with a short temper put in an impossible position yet a great and wonderful man, this film shows all of him the public and the private, the strong and the weak.

This film is thrilling, even if we know how it ends, and perhaps that is part of the reason why it’s so thrilling, because the decisions made in this film changed the world. As the dates go by in giant writing on the screen we feel the tension build and Churchill’s despair deepening. Despite its focus being on the government we still get some fantastic and heartbreaking glimpses of the battle in France, including a stunning aerial shot of the fighting which fades into a fallen soldier. It is a political and historical drama but it is also a war film.

Here we have film making at its finest, so beautifully shot, every scene pulls us in and makes hearts pound, brains whir and tears well up. This is a fantastic piece of cinema.

Film

Oscars Countdown #6 ‘Dunkirk’

Dunkirk is all action and sparse dialogue.

Nolan’s war epic is a true cinematic feat making use of every special and visual effect to create a harrowing snapshot of the British Army’s retreat from Dunkirk.

Remember that chilling scene from Atonement when James McAvoy is walking along the beach at Dunkirk, this is basically a two hour version of that.

He gives us a whole host of characters the young soldiers trying to escape the beach, the officers trying to get them off it, the civilians heading over in their small fishing boat to aid the rescue attempt, the pilots fighting the Germans trying to sink the ships, as the film jumps from one scene to the next the suspense becomes almost unbearable.

It paints a terribly bleak picture of war, we watch planes go down, ships sink and bodies wash up on shore. The task seems to be hopeless. The hopelessness and despair is most poignantly shown in one scene where the three of our young protagonists sit on the beach and watch as a soldier walks into the ocean and disappear not one of them tries to stop him, says a word or even reacts.

The score for this film is truly the star, with so little dialogue it is the music that adds the emotional element to the scenes.

What it lacked though was any form of character development. Yes the horrors depicted made you feel for these men, you wanted them to make it home, but where was home? What was home? Who was waiting for them? And I’m sorry but I just could not see Harry Styles as being anything other than that annoying member of a boy band.

There was the odd moment that tugged the heart, Cillian Murphy’s fevered exclamation that he “can’t go back” the young soldiers scrabbling up on deck because they “just want to see the cliffs” and perhaps the most powerful moment of the film when one of our returning soldiers reads Churchill’s famous speech out loud from the paper whilst we see images of each character returning home.

Technically I cannot fault this film I’ll be very surprised if it does not pick up awards in the technical categories but it does not have any heart. I always want to come away from a film feeling something but here I did not, my eyes remained dry which considering the subject is surprising. Disappointingly my least favourite of the nominees so far.

Film

Oscars Countdown #7 ‘Lady Bird’

From one coming of age story to another Lady Bird is a wonderful portrayal of a 17 year old girl as she takes on her senior year of school and all the chaotic heartbreak that that involves.

Saoirse Ronan is fantastic as she acts out as only a teenager can do, arguing with her just about every member of her family, complaining about putting her clothes away and how her eggs are cooked, getting drunk and of course rebelling by renaming herself Lady Bird, she is a typical teenage brat. But the character is just so loveable as we watch her muddle through life and work out her frustrations. So many of us will recognise our teenage selves in this story.

Tens of dozens of teenage coming of age films come out every year but there are so few like this. All the big milestones moments are there losing your virginity, falling out with your best friend, passing your driving test, going to prom and graduating high school. In short all the elements of any American teen movie are here but they’re handled so wonderfully and simply, we don’t dwell on or have a grand build up to these moments rather it is, as it so often is in life, all the little moments in between, the small moments that carry the importance that shape Lady Bird. This isn’t slick or glitzy, in fact it’s full of the fashion of the early noughties and we all know that’s not glamorous, but it is real and it is raw and by god is it funny.

At the heart of the story is the relationship between Lady Bird and her mother, played by the awesome Laurie Metcalf. The way in which the two slip so seamlessly from talking to bickering to confiding in each other is exactly how families are, they argue, they fall out but they love each other fiercely. Who hasnt argues with their mother at one time or another?

Greta Gerwig wrote and directed the film and she is a genius. Partially based on her teenage years spent in Sacramento, California it is so genuine and true and honest, there is not one perfect character here each is flawed and real and human. Rightfully nominated for Best Director Gerwig is a genius, and she is now officially my idol.

This is a wonderfully funny and heart warming film that truly captures what it is like to be a teenager and what it is like to grow up. And Saoirse Ronan I love you!Can we please be best friends?

Film

Oscars Countdown #8 ‘Call Me By Your Name’

I am obsessed with Call Me By Your Name. It is so enticing, that all I want to do now is spend my summer at a beautiful Italian villa eating fresh fruit, having long lunches full of wine and cigarettes and spend my days swimming and reading in the sunshine. This film is a gorgeous treat for the eyes and the soul.

It is a romantic film. Here we have 17 year old Elio, played so incredibly by Timothee Chalamet, experiencing the most heart breaking and exciting of all romances, a summer romance. Elio falls in love with his father’s intern Oliver, slightly older than him, and played so attractively by Armie Hammer, you can see how Elio is drawn to him he is charming, intelligent and does everything with great passion and enthusiasm.

There are no cheesy love scenes, no passionate declarations of love, this is a slow burning film and we watch as Elio gradually falls for Oliver and slowly makes sense of his feelings. Eventually the two men give in to their desires and they come together with such a passion, we see the electricity crackle between them in every exchange, every touch. This is not a light youthful romance but a deep and passionate one that will shape Elio and Oliver for the rest of their lives.

Although it is a film where two men fall in love the only obstacle they have to face is the battle within themselves, they have no disapproving parents to overcome, no judging community. Eventually their relationship ends because the summer ends, not because they’re gay, but because that is what happens in a summer romance when you are 17 years old, inevitable heartbreak.

‘Call Me By Your Name’ truly shows us the power and enduring effect of first love. The most poignant moment of the film is the raw and emotional speech Elio’s father (Michael Stuhlbarg) gives him after Oliver leaves, where he tells Elio to never take love for granted, to not give up on it despite the pain. It is speech that will resonate with anyone who has loved and lost, to anyone who has suffered. It is a beautiful and lasting message to never close yourself off, because “to feel nothing so as not to feel anything – what a waste.”

This is a story of young love, set against a beautiful backdrop, it is utterly spellbinding and I will watch this again and again and soak up every wonderful second of it.